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www.theartnewspaper.com/gabriella-angeleti
‘Creative, provocative, controversial’: Truth Social ads for Nazi-owned art spark heated debate | The Art Newspaper
Three decades ago, US museums were told to report all Native remains in their collections—so why are they still there? | The Art Newspaper
US federal government’s domestic lithium extraction raise fears from tribal communities about archaeological and environmental impacts | The Art Newspaper
The art world reacts to Brazil’s new far-right president, Jair Bolsonaro | The Art Newspaper
Valongo Wharf—historic center of Brazil's slave trade—retains its Unesco World Heritage status | The Art Newspaper
Who will save South America’s ancient earthworks from destruction? | The Art Newspaper
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36th Bienal de São Paulo | The Art Newspaper
Let Us Gather in a Flourishing Way at the Buffalo AKG Art Museum | Artsy
35th Bienal de São Paulo | The Art Newspaper
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Miguel dos Santos | Independent HQ
Laís Amaral | Artsy
Ivens Machado | Independent HQ
Richard Mosse | The British Journal of Photography
Chico da Silva | Independent HQ
Gianfranco Gorgoni | The Art Newspaper
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Steve McQueen on Bass at Dia Beacon and the Schaulager | The Art Newspaper
Amalia Mesa-Bains, a pioneer of the Chicano art movement, on her El Museo del Barrio retrospective | The Financial Times
Theaster Gates on his animistic approach to Black cultural preservation | Elephant
Abe Odedina on his home on the Pelourinho, his collection of Brazilian art and how Candomblé became infused in his work | The World of Interiors
Claudia Andujar on her lifelong activism for the Yanomami | The Art Newspaper
Marie Watt on the art of storytelling | Elephant
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Is the Las Vegas art scene’s streak of bad luck finally over? | The Art Newspaper
Destructive, sensationalized and maybe not even art: the short and vague legacy of the Utah monolith | The Art Newspaper
What is a regional museum? | Discovery