Reviews

• Sara Flores: Akinananti | The New York Review of Books

• 36th Bienal de São Paulo | The Art Newspaper

• Let Us Gather in a Flourishing Way at the Buffalo AKG Art Museum | Artsy

• 35th Bienal de São Paulo | The Art Newspaper

Reporting

• The art dealer specializing in Nazi-owned art | The Art Newspaper

• Why Native human remains and sacred objects remain in museum collections | The Art Newspaper

• US lithium mining sparks concern over archaeological and environmental impacts | The Art Newspaper

• The art world reacts to Brazil’s new far-right president, Jair Bolsonaro | The Art Newspaper

• Valongo Wharf, historic center of Brazil’s slave trade, retains its Unesco status | The Art Newspaper

• Who will save South America’s ancient earthworks? | The Art Newspaper

Profiles

• Miguel dos Santos | Independent HQ

• Laís Amaral | Artsy

• Ivens Machado | Independent HQ

• Richard Mosse | The British Journal of Photography

• Chico da Silva | Independent HQ

• Gianfranco Gorgoni | The Art Newspaper

Interviews

• Steve McQueen on Bass at Dia Beacon and the Schaulager | The Art Newspaper

• Amalia Mesa-Bains, a pioneer of the Chicano art movement | The Financial Times

• Theaster Gates on his animistic approach to Black cultural preservation | Elephant

• Abe Odedina on Salvador, his collection of Brazilian art and Candomblé | The World of Interiors

• Claudia Andujar on her lifelong activism for the Yanomami | The Art Newspaper

• Paulo Nimer Pjota on evoking myth and mysticism | Elephant

• Marie Watt on the art of storytelling | Elephant

Features

• Is the Las Vegas art scene’s streak of bad luck finally over? | The Art Newspaper

• Destructive, sensationalized and maybe not even art: the short and vague legacy of the Utah monolith | The Art Newspaper

• What is a regional museum? | Discovery