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gabriella angeleti

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Review | Hélio Oiticica’s unrealised Tropicália environment (1971) at Socrates Sculpture Park →

August 7, 2022
In The Art Newspaper
← Focus | Brazil Bicentennial: A survey of the past two centuries of Brazilian art and the forces influencing its futureInterview | Patrick Dougherty on his illusionary stickwork at the Tippet Rise Art Center in Montana →